The world-class Chamber Music Society of Lincoln Center returns to St. Cecilia Music Center on April 25 in a program entitled: From Mendelssohn featuring work by the brilliant composer and the magnificent artists who admired and emulated him – Schumann, Brahms and Tchaikovsky. Artists from CMS who will perform in this final concert celebrating SCMC’s 135th Anniversary Season include pianist Inon Barnatan, violinist Cho-Liang Lin, violist Paul Neubauer, cellist Jakob Koranyi, and clarinetist Romie de Guise-Langlois.
Executive Director Cathy Holbrook exclaims, “Every concert at SCMC performed by the Chamber Music Society of Lincoln Center is amazing to watch with artistry that is always flawless. It is appropriate that we end this season with them to celebrate of our 135th Anniversary. The nine women who began St. Cecilia Music Society, over a century ago, created a vision. That vision remains our mission today: ‘To promote the study, appreciation and performance of music in order to enrich the lives of West Michigan residents.’ We’re excited to honor these inspiring women at our final event for the season with the Chamber Music Society of Lincoln Center.”
St. Cecilia Music Center was founded in 1883 by nine Grand Rapids women. At that time it was the only organization of its kind to be run solely by women. Through their efforts, SCMC’s historic building on Ransom Avenue was erected in 1894. The original mission that they created, remains the same today.
Tickets for the April 25 CMS of Lincoln Center concert are $45 and $40 and can be purchased by calling St. Cecilia Music Center at 616-459-2224 or visiting the box office at 24 Ransom Ave. NE. Tickets can also be purchased online at www.scmc-online.org.A post-concert “Meet-the-artist” party, with complimentary wine will be offered to all ticket-holders giving the audience the opportunity to meet the artists and to obtain signed CDs of their releases.
About the Concert
Mendelssohn’s combined mastery of melody, form, counterpoint, and the chamber idiom was admired and imitated by composers for generations to come. In a program bookended by two works of Mendelssohn from 1845, one brief, the other epic, we hear Mendelssohn’s close friend Robert Schumann’s response to Mendelssohn’s piano trios; how, near the end of his life, Brahms recalled Mendelssohn’s lyricism through the viola’s dark voice; and, how Mendelssohn’s great admirer Tchaikovsky combined the German’s signature scherzo idiom with Russian melancholy and splendor in three selections from The Seasons for solo piano.
Selections will include:
· Mendelssohn: Lied ohne Wortein D major for Cello and Piano, Op. 109 – composed 1845
· Schumann: Märchenerzählungenfor Clarinet, Viola, and Piano, Op. 132 – composed 1853
· Brahms: Sonata in E-flat major for Viola and Piano, Op. 120, No. 2 – composed 189
· Tchaikovsky: Selections from Les saisonsfor Piano, Op. 37b – composed 1875-1876
· Mendelssohn:Trio No. 2 in C minor for Violin, Cello, and Piano, Op. 66 – composed 1845
CMS of Lincoln Center Artist Bios
“One of the most admired pianists of his generation” (New York Times), Israeli pianist Inon Barnatan is celebrated for his poetic sensibility, musical intelligence, and consummate artistry. He is the recipient of both a 2009 Avery Fisher Career Grant and Lincoln Center’s 2015 Martin E. Segal Award, and he recently served as the inaugural artist-in-association of the New York Philharmonic. Beginning in 2019, he will be the new music director of the La Jolla Music Society Summerfest. After recent debuts with the Leipzig Gewandhaus Orchestra, Hong Kong Philharmonic, and Chicago, Baltimore, and Seattle symphonies, he opened the season with the Los Angeles Philharmonic, and made debuts with both the London and Helsinki philharmonic orchestras. This season he returns to New York’s 92nd Street Y and London’s Wigmore Hall and Southbank Centre, and makes Carnegie Hall appearances with soprano Renée Fleming and his regular duo partner, cellist Alisa Weilerstein. A sought-after chamber musician, he is an alum of The Bowers Program (formerly CMS Two). His critically acclaimed discography includes recordings of Schubert’s solo piano works, as well as Darknesse Visible, which the New York Times named one of its “Best of 2012” recordings. His most recent album release is a live recording of Messiaen’s 90-minute masterpiece Des canyons aux étoiles (From the Canyons to the Stars) at the Santa Fe Chamber Music Festival. His 2015 Decca Classics release, Rachmaninov & Chopin: Cello Sonatas with Alisa Weilerstein, earned rave reviews on both sides of the Atlantic.
Violinist Cho-Liang Lin is lauded the world over for the eloquence of his playing and for superb musicianship. In a concert career spanning the globe for more than 30 years, he is equally at home with orchestra, in recital, playing chamber music, and in the teaching studio. Performing on several continents, he has appeared with the orchestras of New York, Detroit, Toronto, Dallas, Houston, Nashville, San Diego, and the Los Angeles Chamber Orchestra; in Europe with the orchestras of Bergen, Stockholm, Munich, and the English Chamber Orchestra; and in Asia with the orchestras of Shanghai, Hong Kong, Singapore, Malaysia, Bangkok, and the National Symphony Orchestra of Taiwan. An advocate of contemporary music, he has collaborated with and premiered works by Tan Dun, Joel Hoffman, John Harbison, Christopher Rouse, Esa-Pekka Salonen, Lalo Schifrin, Paul Schoenfield, Bright Sheng, and Joan Tower. Also an avid chamber musician, he has made recurring appearances at the Chamber Music Society of Lincoln Center, the Aspen Music Festival, and the Santa Fe Chamber Music Festival. As music director of La Jolla Music Society’s SummerFest since 2001, Mr. Lin has helped develop the festival from one that focused on chamber music into a multidisciplinary festival featuring dance, jazz, and a new music program. He also serves as artistic director of the Hong Kong International Chamber Music Festival. In 2000 Musical America named him its Instrumentalist of the Year. He is currently a professor at Rice University’s Shepherd School of Music. He plays the 1715 “Titian” Stradivarius.
“a master musician” – New York Times Violist Paul Neubauer’s exceptional musicality and effortless playing led the New York Times to call him “a master musician.” In 2018, he made his Chicago Symphony subscription debut with conductor Riccardo Muti and his Mariinsky Orchestra debut with conductor Valery Gergiev. He also gave the US premiere of the newly discovered Impromptu for viola and piano by Shostakovich with pianist Wu Han. In addition, his recording of the Aaron Kernis Viola Concerto with the Royal Northern Sinfonia, was released on Signum Records and his recording of the complete viola and piano music by Ernest Bloch with pianist Margo Garrett was released on Delos. Appointed principal violist of the New York Philharmonic at age 21, he has appeared as soloist with over 100 orchestras including the New York, Los Angeles, and Helsinki philharmonics; National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth symphonies; and Santa Cecilia, English Chamber, and Beethovenhalle orchestras. He has premiered viola concertos by Bartók (revised version of the Viola Concerto), Friedman, Glière, Jacob, Kernis, Lazarof, Müller-Siemens, Ott, Penderecki, Picker, Suter, and Tower and has been featured on CBS’s Sunday Morning, A Prairie Home Companion, and in Strad, Strings, and People magazines. A two-time Grammy nominee, he has recorded on numerous labels including Decca, Deutsche Grammophon, RCA Red Seal, and Sony Classical. Mr. Neubauer is the artistic director of the Mostly Music series in New Jersey and is on the faculty of The Juilliard School and Mannes College as well as a visiting professor at DePaul University.
Swedish cellist Jakob Koranyi has firmly established himself on the classical music scene as one of Europe’s most interesting young soloists. Acclaimed for his commanding virtuosity and passion for diverse and innovative programs, he has toured extensively performing as a recitalist as well as a soloist all over the world. Orchestral highlights of previous seasons include performances with the Royal Stockholm Philharmonic Orchestra, Hong Kong Philharmonic Orchestra, New Zealand Symphony Orchestra, and Arctic Philharmonic Orchestra working with conductors such as Sakari Oramo, Jan-Pascal Tortiellier, David Atherton, Jaime Martin, and Christian Lindberg. A committed chamber musician, he collaborates with distinguished musicians such as Yura Lee, Simon Crawford-Phillips, and Juho Pohjonen and has appeared in chamber music concerts alongside such international stars as Vilde Frang, Kim Kashkashian, Leonidas Kavakos, Misha Maisky, Martin Fröst, Lawrence Power, and Denis Kozukhin. He also enjoys working with artists of other disciplines and has a lasting collaboration with dancer Heather Ware. The 2016-17 season saw the premiere and Dutch tour of their new piece Battle Abbey, as well as performances with the Helsinki Philharmonic, Orquesta Filarmonica de Bogota, and the Stockholm Royal Philharmonic Orchestra. The current season sees performances of the Haydn C major Concerto with the Vasteras Sinfonietta and Gävle Symfoniorkester, Kurt Atterberg’s Cello Concerto with the Swedish Radio Symphony, as well as other interesting projects and festivals. An alum of The Bowers Program (formerly CMS Two), Mr. Koranyi performs regularly with the Chamber Music Society, and plays an Iosephi Gratiani cello built in 1756 in Genoa.
Praised as “extraordinary” and “a formidable clarinetist” by the New York Times, Romie de Guise-Langlois has appeared as soloist and chamber musician on major concert stages internationally. She has performed as soloist with the Houston Symphony, Ensemble Connect, the Burlington Chamber Orchestra, and the Guanajuato Symphony Orchestra, as well as at Festival Mozaic, Music@Menlo, and the Banff Center for the Arts. She was awarded first prize in the Houston Symphony Ima Hogg competition, the Yale University Woolsey Hall Competition, the McGill University Classical Concerto Competition, and the Canadian Music Competition. She has performed as principal clarinetist for the Orpheus and Saint Paul chamber orchestras, NOVUS NY, the Orchestra of St. Luke’s, the New Haven and Stamford symphony orchestras, and The Knights Chamber Orchestra. She is an alum of Astral Artists, Ensemble Connect, and The Bowers Program (formerly CMS Two), and has appeared at series such as the Boston and Philadelphia chamber music societies, Musicians from Marlboro, the Santa Fe Chamber Music Festival, and Chamber Music Northwest, among others. A native of Montreal, Ms. de Guise-Langlois earned her bachelor’s degree from McGill University and her master’s degree from Yale School of Music. She is currently assistant professor of clarinet at UMass Amherst.
St. Cecilia Music Center’s mission is to promote the study, appreciation and performance of music in order to enrich the lives of West Michigan residents. The Center fulfills this mission by presenting visiting world-class artists in concert, providing music education for all ages through our School of Music and preserving a historic building for musical activities and community events